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Batman: The King of Superhero Theme Songs

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Garlador

Member
I like superheroes. Big ones, small ones, dark ones, silly ones, male, female... a hero in spandex fighting crime and saving the world is just awesome and we have thousands of them. But no matter how popular Spider-man is, no matter how much money Captain America makes, no matter how iconic Superman is, there is one superhero who consistently just has THE best music.

I can't think of any hero that even comes close.

Let's start at the beginning. The VERY beginning.
Batman 1940s Serials
Even in his first on-screen appearances, while nothing that would get you humming, a certain tone was struck with the Dark Knight. The music is both bombastic and triumphant, yet also filled with minor key inflections that make it far moodier than the serials of, say, Captain America were at the time. It wasn't much... but it was setting the groundwork for the way Batman would sound decades later.

Of course, when Batman came back in the 60s, he came back in a BIG way... and everybody knows this one:
Adam West 60's Batman Theme
Na na na na na na... BATMAN! For years after its release, THIS was the theme of Batman. Even long after the 60's faded to memory, this song remained, stuck in our heads. Your brain is singing it right now. And yet... it's a perfect campy Batman song. This is the quintessential 60s Batman, the one in comics fighting Martians and wearing Zebra costumes for wacky reasons. it's energized, it's catchy, it's action-packed, and yet it's still in minor key with just a tinge of moody noir. What can I say? This song has endured for half-a-century and will continue to do so for years to come. For better or worse, it defined Batman for a whole generation.

Which is why it would take something major, in visuals and music, to challenge the public's perception of what Batman was. Cue the 1989 Tim Burton movie.
Batman 1989 Theme
Danny Elfman created, in my opinion, the perfect Batman theme song. To this day, THIS is the Batman theme I think of when I imagine Batman, in any and all medias. Dark, brooding, brassy, gothic... it's the song that truly feels like a creature of the night stalks the dark, smokey alleys of Gotham hunting criminal prey to terrorize. The movie OPENS with nothing but this music and the logo, and with music alone you fully understand what Burton's about to do with the character. The memory of the campy and colorful Batman fades as a new era of Batman appears that will forever alter the general public's perception of the character. Elfman's theme resonates and defines this new Batman and, in my opinion, no theme has since surpassed it.

But that's not to say we haven't gotten damn close, especially when Elfman himself had a hand with the Batman: Animated Series title theme.
Batman: The Animated Series Opening
Batman Animated Series Ending
The Batman: Animated Series is perfect. I mean that. It's flawless. I could go on about the series itself, but this is just the music, expertly adapted with Danny Elfman's help by the superbly talented Shirley Walker. The original opening is extremely similar to the movie theme, to its benefit... and if that was all, it STILL would be one of the best-sounding Batman adaptations ever made...

But Shirley Walker really went above and beyond and, in fact, her theme for Gotham itself eventually became the show's new theme into future seasons.
The Adventures of Batman and Robin theme
This theme was used far more frequently in the actual series and soon became just as iconic as the Elfman theme for many viewers. It was equally dark, brooding, tragic, sweepingly gothic, but also triumphant and heroic in the best ways. The show always managed to combine melancholic themes of sorrow and sacrifice against brooding heroics, and this theme accomplishes it in spades, which is why it was adapted even further...

Batman: Mask of the Phantasm theme
The culmination of all of Shirley Walker's brilliant work. No Batman theme has ever been as gothic, as orchestral, as transcendent. It gives me chills and is second only to the Danny Elfman theme in my mind as the greatest Batman theme ever... and it's REALLY close. It's mysterious, it's dark, it's just friggin' epic.

Batman Forever theme
Joel Schumacher's stab at the Batman movies is not often regarded fondly these days, but... the music isn't half bad. Schumacher specifically told composer Elliot Goldenthal to mimic Elfman's score and he does an admirable job, with a brooding, gothic, heroic score that pays homage to Elfman's classic while doing its own thing, adding in far more dissonance and industrial tones to the score, giving this Batman movie and its follow up a very strange, almost otherworldly sound.

Meanwhile, back in the animation world...
The Batman & Superman Adventures
Long before Batman v Superman: Dawn of Subtitles, WB smashed their two icons together in alternating cartoon blocks and took steps to create the bigger DCAU on the small screen. The music that introduced the episodes thus had to pull double-duty of being as dark, brooding, and mysterious as Batman... and as joyful, triumphant, and heroic as Superman. Pulling that off was going to be nearly impossible... and yet, here we are. While it's not the most memorable of the Batman soundtracks, it does a great job having his somber themes play counter to Superman's celebratory melodies and the two, like in the show, somehow work together in harmony.

Now, after Schumacher buried Batman, Christopher Nolan was rebuilding him in a new, grounded image, and he brought the legendary Hans Zimmer along for the ride.
Batman Begins theme
The Dark Knight theme
Zimmer's Batman Begins theme is... honestly, I find it to be a fairly generic, but supremely well-done, Batman theme. It's a beautiful theme, but I honestly feel like it lacks the memorable punch of prior Batman themes. But then The Dark Knight came out punching, with a drum-heavy, pulsating Batman theme that was a brooding, fast-paced ride of a theme of crashing, pounding minor melodies that felt frenetic, dark, and truly appropriate for an epic stand-off with a being as mad as the Joker. It's easily the most exciting Batman theme ever composed and there's a reason it stuck around for TDKR. It's the modern Batman theme for a modern world.

The TV shows were going through countless changes at this point, though, to many extreme results.
First, DCAU took Batman into the future...
Batman Beyond Theme
Techno-rock Batman. This isn't the slow, brooding Batman of the past. This is a new engine. Lightning fast and loud. Younger, edgier, forward-thinking. For such an experimental Batman show to begin with, its electronic rock theme quickly and effectively set the tone.

DC would try a new approach to Batman with The Batman a few years later.
The Batman theme
Sexy crime noir. Jazzy, a tad campy, but no denying it has a certain style all its own. It was a callback to detective eras long past and, while not my favorite, fit the show's style just fine. They changed up the theme every season, but I felt this was the most effective one.

Similar to Batman: The Brave & The Bold.
Batman: The Brave & The Bold Theme
Campy, silly, weird... This took obvious admiration and affection for the Adam West show and its tone and applied it to modern sensibilities. While punchy and energized, it's also probably the only major theme for Batman that I feel doesn't evoke "Batman" to me and could be applied to many other heroes. It would have made an equally good theme song for The Tick.

DC, at this point, has been rebooting Batman more and more frequently, and one of the latest stabs is Beware the Batman.
Beware the Batman
At just 30 seconds, it's one of the shortest themes... and that's kind of a shame, because what is there is actually pretty effective at creating a pretty interesting mood. It reminds me of something sung by 40's lounge singers in an atmospheric noir detective film. It's short, but it's effective at putting me in a particular Batman mood.

Meanwhile, in another medium, the Arkham series was just kicking off...
Batman: Arkham City theme
While Arkham Asylum's theme is also great, and Arkham Knight's theme has its merits, it's the Arkham City theme that really hits it out of the park and left its mark. This is the theme that I feel is like a "greatest hits" of the previous greats: it's got the feel of Elfman, the pulsating percussion of the Zimmer score, yet the sweeping gothic feel of the Shirley Walker pieces. Composer Nick Arundel created one of the greatest, underrated Batman themes, tapping into that tragic, gothic vibe that defines Batman's crusade, sweeping into the realms of pensive introspection, dynamic action, soaring heroics, and bittersweet resolutions. It's a brilliant look at Batman in a microcosm.

So many different Batman adaptions. So many different composers. So many different tones and styles. And yet... unlike Spider-man, unlike the X-men, unlike Superman, unlike almost every other hero, Batman's music to me is still instantly recognizable. I hear any of these themes and I can immediately tell you which hero they belong to, no matter how much they differ from one another. And this list was far from complete; there are many other melodic additions to the Batman soundtrack library.

Of course, it could be argued that only recently did we get the GREATEST Batman theme ever...
Batman Lego Song

Whether in films or on TV, in cartoons or in video games, no superhero packs the audible punch that Batman does. Regardless of the quality or merits of his upcoming shows or movie appearances, Batman's music continues to be a delight, and I look forward to whatever the future may bring.

So, what's YOUR favorite(s), and is there any noteworthy ones I missed?
 
Love the TAS theme most.

I always thought the best part about the LEGO song was that the writers (or Batman, depending on how you think about it) titled the song "Untitled Self Portrait."
 

HStallion

Now what's the next step in your master plan?
Shirley Walkers Mask of the Phantasm theme is my stand out pick. Elfman's is more iconic at this point but Shirley Walker took the groundwork he laid and gave us something powerful and absolutely fitting for the Dark Knight.
 

Sephzilla

Member
Danny Elfman and Shirley Walker's themes are leagues better than anything else (though the Adam West era theme is memorable in its own right). I remember the Zimmer score being so bland and unmemorable compared to the Elfman era stuff.

Also, the Batman Beyond theme is pretty dope too. Goddamn I want a live action adaptation of that show.
 

a916

Member
Batman the GOAT. Batman TAS is my favorite.

Incoming Slayven post about how much better the Black Panther theme is
/s
 
Arkham series had great music. I really like how the Zimmer soundtrack builds up. I think it's pairing with the visuals elevate what is going on onscreen and the music.
 
I agree with everything you said, OP.

I was just thinking about this yesterday - How Batman has so many great themes yet so many other heroes barely have 1. Thread arrived just in time.
 
He has quite the reputation to live up to, and not sure BvS will join the ranks

but he shares this one, but dig the Public Enemies theme

https://www.youtube.com/watch?v=Tr3y6WRMBZ4

I have always dug this theme, really sets a nice mood and hypes me up along with the intro credits. The actual movie isn't one of my favorite entries in the line, mostly because i don't care about the source material, but i've come to enjoy it as a fun action romp with the old DCAU crew. Christopher Drake has done some really good work in the DTV line and is imo one of the unsung heroes of DC animation. There has been a thread about his TDKR score recently, and i also really enjoy his Green Lantern: First Flight theme, among others, as well as his score for Arkham Origins.

OP, you should add Drake's Zimmer inspired Batman: Arkham Origins Theme and this theme from his John Carpenter inspired The Dark Knight Returns score.
 

Anth0ny

Member
Elfman theme is still the GOAT.

amazingly, I think the 60s theme is still the most iconic and memorable, though.
 

generic_username

I switched to an alt account to ditch my embarrassing tag so I could be an embarrassing Naughty Dog fanboy in peace. Ask me anything!
Batman the GOAT. Batman TAS is my favorite.

Incoming Slayven post about how much better the Black Panther theme is
/s

No C grade hero mentions in a Batman thread please. The GOAT has no equal.

OP you are absolutely right. Mask of Phantasm is the best imo. Shirley Walker is sorely missed.

Supes is super close though.
 

Pau

Member
Shirley Walkers Mask of the Phantasm theme is my stand out pick. Elfman's is more iconic at this point but Shirley Walker took the groundwork he laid and gave us something powerful and absolutely fitting for the Dark Knight.
Yup. Perfect mix of pain and compassion. People like to ignore the latter part about Batman, but Walker's score (and just not the theme) really showcased that. There's a light vulnerability that she brings in during some of the songs and it works so well against the usual bravado.
 
Elfman Batman and Williams Superman. They're still the kings. I can't complain too much about the musical scores of most recent comic movies, but they lack the identity of those two films. They compliment each other well, much like the characters do.
 
TAS is my favorite.

Shirley Walker needs a shrine dedicated to her genius and talents.

And then we make a bigger one after that.
 

Htown

STOP SHITTING ON MY MOTHER'S HEADSTONE
I am blown away every fucking time I listen to Walker's Mask of the Phantasm theme. It never loses a single iota of its potency. Just...

Fuck.
 

Garlador

Member
Yup. Perfect mix of pain and compassion. People like to ignore the latter part about Batman, but Walker's score (and just not the theme) really showcased that. There's a light vulnerability that she brings in during some of the songs and it works so well against the usual bravado.

The whole animated series worked so well. I tried hard not to just turn it into a TAS rave, but you're right. The Animated Series Batman is a hero who isn't trying to just "stop" the bad guys and beat up criminals. It's one of the few incarnations where Batman doesn't want to "stop" the villains, he wants to SAVE them. He doesn't want to fight Two-Face; he wants to save his friend Harvey. He doesn't want to defeat Harley Quinn; he wants her to find redemption. He doesn't want to thwart Mr. Freeze's plans; he wants him to embrace his lost humanity.

Too much of modern Batman is far more black and white; I'm the hero and the villain has to be defeated, with the movie versions often just resulting in him directly or indirectly killing them. But the animated series version isn't out to "protect" Gotham, he's out to "save" it, and that includes the collection of broken, battered, abused, damaged, and miserable people that make up his rogues gallery.

And Shirley Walker's music captures his internal struggle so well. He's trying to stop them, of course, but it's because even his villains MATTER to him. I think of that final scene of Two-Face, going back to prison and spotting Bruce waiting for him as he's escorted away.
"You'll never give up on me."

This is the Batman that fully explains why he doesn't kill, because he's the rendition that best explains that, no matter how dark and depressing life can be, no matter how hard things are, there is always a ray of hope for lost souls.

And Shirley Walker's music, not just the themes, but the themes for Mad Hatter, and Two Face, and Clayface, and Mr. Freeze, and even Babydoll, all showcase this so well. These aren't just villains... they're people, and where others see nothing but a menace, Batman sees lives worth trying to rehabilitate.

"I had a bad day too... once."
 

Sephzilla

Member
Listening to the Elfman theme again now, god damn that opening 40 seconds is such a great buildup that sets a great tone.
 

Anth0ny

Member
Elfman Batman and Williams Superman. They're still the kings. I can't complain too much about the musical scores of most recent comic movies, but they lack the identity of those two films. They compliment each other well, much like the characters do.

Yeah it's unfortunate that nothing has really come close to those two, even as we live in this golden age of comic book films.

The only thing that comes to mind is Elfman's Spider-Man theme, but even that hasn't had the longevity of his Batman theme. Maybe if they didn't reboot Spidey so quickly... and they were able to use the theme for a cartoon that would go down in history as one of the greatest of all time.

Dark Knight and Avengers have some good themes... but it's just that. Good. Not great or legendary or even that memorable. Then you look at the other superheroes. Iron Man? Captain America? Deadpool? Wolverine? It's really unfortunate that you don't have an iconic theme to go with any of these billion dollar characters.

BvS has a lot to live up to, hope it doesn't disappoint.
 

Moff

Member
giphy.gif

to contribute something small
the batman gameboy game for the 1989 movie had amazing music, how does batman inspire artists like that?
 

NumberTwo

Paper or plastic?
Yeah it's unfortunate that nothing has really come close to those two, even as we live in this golden age of comic book films.

The only thing that comes to mind is Elfman's Spider-Man theme, but even that hasn't had the longevity of his Batman theme. Maybe if they didn't reboot Spidey so quickly... and they were able to use the theme for a cartoon that would go down in history as one of the greatest of all time.

Dark Knight and Avengers have some good themes... but it's just that. Good. Not great or legendary or even that memorable. Then you look at the other superheroes. Iron Man? Captain America? Deadpool? Wolverine? It's really unfortunate that you don't have an iconic theme to go with any of these billion dollar characters.

BvS has a lot to live up to, hope it doesn't disappoint.
I share the exact same sentiment. As I'm not sure why the industry has moved away from establishing 'iconic' motifs for these larger than life superheroes. As you said, the most recent ones I can recall is Elfman's Spider-Man & Avengers themes which I still hum to this day.

Yup. Perfect mix of pain and compassion. People like to ignore the latter part about Batman, but Walker's score (and just not the theme) really showcased that. There's a light vulnerability that she brings in during some of the songs and it works so well against the usual bravado.
This is a great way to put what I like most about her work.
 

generic_username

I switched to an alt account to ditch my embarrassing tag so I could be an embarrassing Naughty Dog fanboy in peace. Ask me anything!
Yeah it's unfortunate that nothing has really come close to those two, even as we live in this golden age of comic book films.

The only thing that comes to mind is Elfman's Spider-Man theme, but even that hasn't had the longevity of his Batman theme. Maybe if they didn't reboot Spidey so quickly... and they were able to use the theme for a cartoon that would go down in history as one of the greatest of all time.

Dark Knight and Avengers have some good themes... but it's just that. Good. Not great or legendary or even that memorable. Then you look at the other superheroes. Iron Man? Captain America? Deadpool? Wolverine? It's really unfortunate that you don't have an iconic theme to go with any of these billion dollar characters.

BvS has a lot to live up to, hope it doesn't disappoint.


I don't know why people think this for example does not compare to Elfman's theme. It is soooo good - https://www.youtube.com/watch?v=iKHUF7e0hK0&t=1m45s
 

Garlador

Member
Yeah it's unfortunate that nothing has really come close to those two, even as we live in this golden age of comic book films.
...
Dark Knight and Avengers have some good themes... but it's just that. Good. Not great or legendary or even that memorable. Then you look at the other superheroes. Iron Man? Captain America? Deadpool? Wolverine? It's really unfortunate that you don't have an iconic theme to go with any of these billion dollar characters.

I share the exact same sentiment. As I'm not sure why the industry has moved away from establishing 'iconic' motifs for these larger than life superheroes. As you said, the most recent ones I can recall is Elfman's Spider-Man & Avengers themes which I still hum to this day.

I actually think there IS one that's really good... but they left it in just one movie.
Star-Spangled Man With A Plan

This song SCREAMS Captain America. Literally.
 

Pau

Member
The whole animated series worked so well. I tried hard not to just turn it into a TAS rave, but you're right. The Animated Series Batman is a hero who isn't trying to just "stop" the bad guys and beat up criminals. It's one of the few incarnations where Batman doesn't want to "stop" the villains, he wants to SAVE them. He doesn't want to fight Two-Face; he wants to save his friend Harvey. He doesn't want to defeat Harley Quinn; he wants her to find redemption. He doesn't want to thwart Mr. Freeze's plans; he wants him to embrace his lost humanity.

Too much of modern Batman is far more black and white; I'm the hero and the villain has to be defeated, with the movie versions often just resulting in him directly or indirectly killing them. But the animated series version isn't out to "protect" Gotham, he's out to "save" it, and that includes the collection of broken, battered, abused, damaged, and miserable people that make up his rogues gallery.

And Shirley Walker's music captures his internal struggle so well. He's trying to stop them, of course, but it's because even his villains MATTER to him. I think of that final scene of Two-Face, going back to prison and spotting Bruce waiting for him as he's escorted away.
"You'll never give up on me."

This is the Batman that fully explains why he doesn't kill, because he's the rendition that best explains that, no matter how dark and depressing life can be, no matter how hard things are, there is always a ray of hope for lost souls.

And Shirley Walker's music, not just the themes, but the themes for Mad Hatter, and Two Face, and Clayface, and Mr. Freeze, and even Babydoll, all showcase this so well. These aren't just villains... they're people, and where others see nothing but a menace, Batman sees lives worth trying to rehabilitate.

"I had a bad day too... once."
Fully agree. I find a compassionate Bruce so much more interesting and enjoyable than a Bruce that's just out for vengeance or some perverse enjoyment from beating people up. It's a much harder task and brings up a lot of relevant questions on rehabilitation, punishment, etc.

I honestly think Bruce is more naive than someone like Dick who's usually considered the "well adjusted" family member. Dick can never forgive Two-Face for what he's done, but Bruce still thinks people have the ability to make that current choice between right and wrong despite what they've done before. The exception probably being the Joker for obvious reasons.

Can't link because I'm on my phone but my favorite Walker theme is the Fire from Olympus. Not a big villain but I think the theme fits Bruce pretty well too.
 
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