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Scarlett Johansson talks sexism, sidesteps 'Ghost in the Shell' controversy

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border

Member
Do you really think the star of Pirates of the Carribean is a unknown?

Armie Hammer was an unknown at the time, and he played the title character of Lone Ranger.

As for Depp, at this point I don't think anyone sees him as as bankable outside of a Pirates film.
 

gnomed

Member
I don't see why they didn't cast Ming-Na Wen. Easily the most bankable Asian American star, the Joy Luck Club made double its budget. I mean she's no Geena Davis, but who is.

And I totally understand not casting the actress from Crouching Tiger also. Her face looks so much similar to all the other wuxia actresses even if the movie was a big international success.

So please use some common sense. We will continue to cast Henry Cavill in Superman roles because he embodies the fragile essence of a Kryptonian.
 

Smellycat

Member
This sounds really strange to be honest. ^^

I think most people just don't care. They would be fine with Scarlett or for example Rinko Kikuchi.

Well, this is an anecdotal argument of course, because I don't believe that 90% of people are racist, just ignorant.


I'm also one of them, I'm fine with Scarlett, I would be fine with Rinko and wouldn't think much about this without following this thread.


Ironically, I think this movie could work with Rinko just as well, because people are ignorant.


Edit: As long neither of them is just a plain bad actor.

It sounds strange, because it is strange. But that is how big movie studio executives think.
 

Trojita

Rapid Response Threadmaker
I don't see why they didn't cast Ming-Na Wen. Easily the most bankable Asian American star, the Joy Luck Club made double its budget. I mean she's no Geena Davis, but who is.

And I totally understand not casting the actress from Crouching Tiger also. Her face looks so much similar to all the other wuxia actresses even if the movie was a big international success.

So please use some common sense. We will continue to cast Henry Cavill in Superman roles because he embodies the fragile essence of a Kryptonian.

You'd still get people complaining that they didn't hire a Japanese-American actress.
 

Enzom21

Member
So, all women should stay down, basically? The problem is that these turn into criticisms against the women, individually. Scarlett Johansson can't try to seek equality for herself, because in doing so, she's not helping everyone. So, she needs to stay down.

Yeah, things are worse for minority women, absolutely, but doesn't it help the cause for them, if some women are getting action-adventure roles? Doesn't her success in this role, make it more likely that similar movies will be made and more opportunities will be opened up for all women?

There needs to be a balance, where we try to push forward the cause of minority women, without tearing down the efforts of white feminist (who are frankly more likely to get traction in the movement).

Who said shit about her staying down? How will her success in this role help WoC?
She completely sidestepped the question about whitewashing and made it about white feminism.
Once again, just because she is fighting against inequality, doesn't mean she is free from criticism. I love when "allies" tell people of color to wait their turn.
 

KSweeley

Member
According to this, the name of Johansson's character in Ghost in the Shell is "Major Mira Killian": https://www.amazon.com/dp/1683830008/?tag=neogaf0e-20

Discover the incredible art behind Ghost in the Shell, the much-anticipated sci-fi thriller starring Scarlett Johansson.

Discover the incredible artwork behind the creation of Ghost in the Shell, the much-anticipated live-action film that brings to life the adventures of cybernetic detective Major Mira Killian and her crack cyberterrorism squad, Section 9. Directed by Rupert Sanders and starring Scarlett Johansson as the Major, the film required the creation of a unique futuristic world where the vast majority of the population has had their bodies augmented with cybernetic enhancements. Working with the award-winning Weta Workshop, Sanders and his team designed every aspect of this startling new world, from cityscapes filled with holograms the size of skyscrapers to robotic geishas, futuristic weaponry, and bionic limbs. This deluxe book reveals the full creative journey behind Ghost in the Shell through interviews with the cast and crew and a wealth of incredible never-before-seen art that showcases the amazing vision that brought the film to the screen.
 

muteki

Member
I care more about her performance than her nationality. Film seems to be chasing the look of the first animated film, not sure about the script or how Scarlet will portray the Major.
 

mantidor

Member
220px-TheLoneRanger2013Poster.jpg


Or 225?

Didn't this movie failed spectacularly? I remember an article saying it was one of the biggest Disney blunders in history.
 

El Topo

Member
You can cast a piece or rock as a lead in a Star Wars movie, and it's still gonna bring in the cash.

The point is that the argument of bankability is disproportionate and in an age of brands and franchises the concept is even less true, if it ever was.
 

Hazmat

Member
"there are no bankable asian actresses" is racist propaganda and anyone that uses that as an argument is being willfully ignorant.

I wouldn't say that, but it's the result of a cycle of some racist and sexist attitudes in casting. There aren't bankable Asian female action stars because because no one gives them a chance at those roles, and they don't get a chance at those roles because they aren't stars.
 

kswiston

Member
Tomb Raider has Alicia Vikander as it's lead. A movie property that had a big Hollywood star in Angeline Jolie to sell and do decent but not spectacular box office performance.

I think you have your timeline a bit mixed up in this case. Angelina was cast as Lara croft in 2000, right after winning best supporting actress for Girl, Interrupted I believe. Prior to that, the only film that she was in that made any sort of money was the Bone Collector, and that was a Denzel film. Gone in 60 Seconds was also in 2000, but I don't know if that released before or after the Tomb Raider casting.

I think that Alicia right now is more or less comparable to Angelina when she was cast as Lara Croft.


Your larger point about non-white women getting even less of a shot is correct of course.
 
Alicia Vikander to the mainstream is unknown. After Tomb Raider, she won't be unknown but a mainstream star. That's literally how you build bankable stars. It's no different than Jennifer Lawrence being an unknown after being critically acclaimed in Winter's Bone and then being cast as the lead in The Hunger Games and becoming a bankable star.

That's not what being an unknown is, an unknown is someone like Daisy Ridley. Someone who has never acted in a major production for at all. Alicia Vikander is a VERY successful actor at the cusp of being a mainstream star. She's starred in a number of films, won an Oscar for her work, starred in a couple of mainstream blockbusters, and is a central role of one of the most popular recent cult films in Ex Machina.

The problem is that asian actresses aren't even being given the opportunities to reach that level.
 

see5harp

Member
I'm not going to be critical of Scarlett. It's not up to her. Anyone defending this type of behavior from the same studios who 30 years ago gave us Andy Rooney in yellowface is a special sort of cuck.
 

KSweeley

Member
Also, the casting of Johansson was supported by Kodansha themselves: http://www.hollywoodreporter.com/news/scarlett-johansson-ghost-shell-japanese-885462

"Looking at her career so far, I think Scarlett Johansson is well cast," Sam Yoshiba, director of the international business division at Kodansha's Tokyo headquarters, tells The Hollywood Reporter. "She has the cyberpunk feel. And we never imagined it would be a Japanese actress in the first place."

He added: "This is a chance for a Japanese property to be seen around the world." Yoshiba recently returned from a visit to the New Zealand set of the movie, where he says he was impressed by the respect being shown for the source material.
 

kswiston

Member
Also, the casting of Johansson was supported by Kodansha themselves: http://www.hollywoodreporter.com/news/scarlett-johansson-ghost-shell-japanese-885462

Why wouldn't they support it? They are likely to get more money and sell more related material.

I also don't think that the Japanese, Chinese, or Korean entertainment industries give a shit about the plight of Asian American entertainers. Their local markets are huge. Western cash is just a side bonus in most cases.
 

Slaythe

Member
i feel like there would still have been a bit of a controversy tbh. people have probably heard of gits before, i didn't know that eot was an adaptation until it was pointed out to me. gits is regularly brought up as an example of japanese animation.


It's an adaptation.

It's made for a mostly western audience, for America and Europe.

When Japan only get asian actors to play blonde dudes with blue eyes and "fbi" agents and whatnot, nobody bats an eye.

There is a big problem when say, they cast Jake Gylenhaal as prince of Persia.

But adapting a story for it to take place elsewhere, like Edge of Tomorrow, I don't see the problem.

I have no issue with Death Note either, since things take place in america in the movie.

The problem is when they use white leads to play non white characters in the movie.

As for GITS, she's a robot. She is whatever they want her to be.
 

Jarmel

Banned
Alright let's work this through. So let's say you're one of the producers of the new GITS movie and you need to put the film together. Now you're entering an uncertain market with anime adaptations as there hasn't been any real financially successful one. The closest is Edge of Tomorrow (and my understanding is that crawled to the break even line). So your boss at Paramount wants a high revenue generating franchise as your company's current lack of them is impacting stock prices. So you decide to adapt one of the most high profile anime franchises which not only has a base of hardcore fans but also the creators won't be as demanding as say the ones for 50 Shades of Gray.

Now you have to put this film together. So unlike many other blockbuster movies, there is no GitS cinematic universe you can rely on and that earlier base of fans is relatively small. They aren't going to get you close to that break-even line. That means you need to nail the casting and visuals, in order to sell this to the general public and to get them to go watch an anime adaptation. The visuals are somewhat simple in that you look at movies such as Blade Runner to imitate and you can call up WETA to give it that grimy effect. Audiences are also more pliable to scifi now thanks to Marvel/Lucasfilm/Avatar.

The more difficult part is the actress. The first thing you're likely to do is look up which females have led movies in the scifi genre that weren't part of some cinematic universe and see how they did. Obviously you would prefer to case an Asian for authentic purposes but you don't see any that have that sort of box office credibility. It's really important that you nail the casting because if the movie bombs, and there is a very good probability of that as you're entering a market with near zero financial successes, you need to be able to justify to your bosses every single decision you made. You know that if this project ends up losing money, you're going to be sitting at a big board meeting with a bunch of executives who are going to be deciding whether your ass is in the unemployment line the next day. At that board meeting, those executives aren't going to give a shit about diversity but rather how much money you cost them by not casting some S+ famous actress.

Now you can take a career suicide level risk and try to push some unknown Asian actress like Rinko Kikuchi who would be more authentic to the franchise or you can cast an actress with something of a track record. What do you think most people would do?
 

KSweeley

Member
People in Japan have very positive reactions as well regarding the live action Ghost in the Shell movie: http://www.hollywoodreporter.com/he...ler-exceeds-japanese-fans-expectations-948696

While some people have complained about the casting of a white actress in the main role, the majority of comments about star Scarlett Johansson are positive, as are comments about the look of the film. Japanese fans were largely unbothered about Johansson playing the lead role, having expected a white actress to star in the Hollywood film. There were more sarcastic comments about the casting of Takeshi Kitano, whom many said always reminded them of a yakuza gangster because he had played so many in his career.

"Wow! I wasn't expecting anything from this live-action version, but I'll watch this, I really want to see it. Paramount and Dream Works, this is more than enough to convince me! And Scarlett has just the right feel for it! I take back what I said about this turning out to be a piece of crap," wrote Afro na Samurai.

Many commenters were full of praise for the striking visuals in the trailer, pointing out that the production values are much higher than they likely would have been for a Japanese film, which are generally made on much lower budgets.

"This looks 100 times better than a Japanese live-action movie would have been…though I'm not saying it's a good idea to have done a live-action version," commented Takahiro Watanabe

"What a difference it makes if you have money. This is a completely different level to Japanese live-action films," wrote uramasago@K4.

According to many commenters, expectations were low for the film, but what they have seen so far of Rupert Sanders' reimagining of the story appears to have exceeded them.

"Well, we won't know until we can see the whole thing, but looks like we can have higher hopes for this than Dragon Ball," wrote tutona8, referring to the ill-fated 2009 Dragonball Evolution, an example of a failed Hollywood manga adaptation.

Two Japanese long-time fans of the franchise said they were impressed by the trailer, had no issue with Johansson's casting and will see the film when it is released in Japan in April.

"It looks incredible. They've recreated some of the scenes directly from the anime and really captured it," Koki Kikuchi, 23, told The Hollywood Reporter. "I thought it might end up looking like the kind of crappy version of Tokyo in The Fast and the Furious: Tokyo Drift, but I'm looking forward to seeing this."

"Scarlett Johansson is really good casting, and anyway, I can't think of any Japanese actress who can do action well," said Teppe Machida, 33. "The trailer looks really cool, I'm definitely going to watch it."
 

Keri

Member
Who said shit about her staying down? How will her success in this role help WoC?
She completely sidestepped the question about whitewashing and made it about white feminism.
Once again, just because she is fighting against inequality, doesn't mean she is free from criticism. I love when "allies" tell people of color to wait there turn.

Her success in this role, makes it more likely that studios will bank roll future action films with a female lead, which means more rolls for women in general. The failure of this film, makes it less likely that studios will take a chance on female-lead films like this. Which means no opportunities for any women. It's not about waiting your turn. It's about working together and not tearing down the women who are currently best positioned to further the cause of women's rights, in general. If we focus on criticizing those women instead of the system denying women more opportunities, it's not going to help anyone and it's giving the system a pass, when we focus on criticizing the individual.
 
i never seen Ghost in the Shell movie, is it good? it's on my shelf unopened.

i seen a few episodes on TV a few years back. looks like a show of cops.
 

border

Member
I would be curious what Masamune Shirow has to say about the casting, but what the publishers of his manga say is kind of irrelevant.
 
Pretty much agree with this:

Alicia Vikander to the mainstream is unknown. After Tomb Raider, she won't be unknown but a mainstream star. That's literally how you build bankable stars. It's no different than Jennifer Lawrence being an unknown after being critically acclaimed in Winter's Bone and then being cast as the lead in The Hunger Games and becoming a bankable star.

and this:

No, this is very much white feminism. She is pushing WoC aside to prop herself up.
No one is trying to silence or even disagreeing with her desire to see equal treatment of women in Hollywood.
We do however have issue with her ignoring issues the don't affect white women and claiming to be a feminist.
She is not free from criticism because she is a woman.

You can say this isn't as bad as 21, or Aloha or whatever. All three minimize Asians in Western cinema and deny Asian workers opportunities while providing them to white actors instead.

If the movie wouldn't have been made without Johansson, then don't make the movie. Adapt something else. In fact, if the movie wouldn't have even been made without her, that's even more of a reason to not do it. She has the power to stop a very specific example of racism.

Yeah, it's horribly sexist that an actress like Johansson probably doesn't have these sorts of roles come around as often as they should while Hollywood is trying to make the latest vanilla Scott Eastwood / Charlie Hunnam / Jai Courtney a thing. That doesn't change any of the above.
 
If they were to be true to source material I'd rather have them cast an actual Japanese person instead of "Asian person who I can think off of the top of my head"

Anyways Scarlett herself has nothing to do with this film's casting process so im more focused on the higher ups. I think GitS and Death Note sidesteps the issue by having diverse casting but I dont studios can get away with it as we begin to see more anime/manga Hollywood films in the future
 
Alright let's work this through. So let's say you're one of the producers of the new GITS movie and you need to put the film together. Now you're entering an uncertain market with anime adaptations as there hasn't been any real financially successful one. The closest is Edge of Tomorrow (and my understanding is that crawled to the break even line). So your boss at WB wants a high revenue generating franchise as your company's current lack of them is impacting stock prices. So you decide to adapt one of the most high profile anime franchises which not only has a base of hardcore fans but also the creators won't be as demanding as say the ones for 50 Shades of Gray.

Now you have to put this film together. So unlike many other blockbuster movies, there is no GitS cinematic universe you can rely on and that earlier base of fans is relatively small. They aren't going to get you close to that break-even line. That means you need to nail the casting and visuals, in order to sell this to the general public and to get them to go watch an anime adaptation. The visuals are somewhat simple in that you look at movies such as Blade Runner to imitate and you can call up WETA to give it that grimy effect. Audiences are also more pliable to scifi now thanks to Marvel/Lucasfilm/Avatar.

The more difficult part is the actress. The first thing you're likely to do is look up which females have led movies in the scifi genre that weren't part of some cinematic universe and see how they did. Obviously you would prefer to case an Asian for authentic purposes but you don't see any that have that sort of box office credibility. It's really important that you nail the casting because if the movie bombs, and there is a very good probability of that as you're entering a market with near zero financial successes, you need to be able to justify to your bosses every single decision you made. You know that if this project ends up losing money, you're going to be sitting at a big board meeting with a bunch of executives who are going to be deciding whether your ass is in the unemployment line the next day. At that board meeting, those executives aren't going to give a shit about diversity but rather how much money you cost them by not casting some S+ famous actress.

Now you can take a career suicide level risk and try to push some unknown Asian actress like Rinko Kikuchi who would be more authentic to the franchise or you can cast an actress with something of a track record. What do you think most people would do?

If this is where Hollywood is at as to why Asian women and other minorities can't catch a break then it's the problem of the industry as a whole.
 
So, all women should stay down, basically? The problem is that these turn into criticisms against the women, individually. Scarlett Johansson can't try to seek equality for herself, because in doing so, she's not helping everyone. So, she needs to stay down.

Yeah, things are worse for minority women, absolutely, but doesn't it help the cause for them, if some women are getting action-adventure roles? Doesn't her success in this role, make it more likely that similar movies will be made and more opportunities will be opened up for all women?

There needs to be a balance, where we try to push forward the cause of minority women, without tearing down the efforts of white feminist (who are frankly more likely to get traction in the movement).

Why are you creating strawman arguments?

I don't think anybody should be mad or upset at Scarlett Johansson or any other White woman accepting the role.

Instead of blindly defending White women, could you perhaps address Scarlett's answer when asked about the controversy which she used to prop up women as a whole instead of dealing with the specifics of Asian American actors in Hollywood?

I think you have your timeline a bit mixed up in this case. Angelina was cast as Lara croft in 2000, right after winning best supporting actress for Girl, Interrupted I believe. Prior to that, the only film that she was in that made any sort of money was the Bone Collector, and that was a Denzel film. Gone in 60 Seconds was also in 2000, but I don't know if that released before or after the Tomb Raider casting.

I think that Alicia right now is more or less comparable to Angelina when she was cast as Lara Croft.


Your larger point about non-white women getting even less of a shot is correct of course.

I looked and you're right, and it shows how it was Tomb Raider that established Angelina as a leading Hollywood actress which is a very similar to the formula with Alicia Vikander.

That's not what being an unknown is, an unknown is someone like Daisy Ridley. Someone who has never acted in a major production for at all. Alicia Vikander is a VERY successful actor at the cusp of being a mainstream star. She's starred in a number of films, won an Oscar for her work, starred in a couple of mainstream blockbusters, and is a central role of one of the most popular recent cult films in Ex Machina.

The problem is that asian actresses aren't even being given the opportunities to reach that level.

I'm not arguing success, obviously, she's not unknown in the technical sense, but she is unknown in the mainstream film sense as a major actor and the public at large. Tomb Raider is the type of film to make her a box office and bankable star on the worldwide stage that changes her trajectory where people will come to watch a film specifically because she's cast in it.
 
Alright let's work this through. So let's say you're one of the producers of the new GITS movie and you need to put the film together. Now you're entering an uncertain market with anime adaptations as there hasn't been any real financially successful one. The closest is Edge of Tomorrow (and my understanding is that crawled to the break even line). So your boss at WB wants a high revenue generating franchise as your company's current lack of them is impacting stock prices. So you decide to adapt one of the most high profile anime franchises which not only has a base of hardcore fans but also the creators won't be as demanding as say the ones for 50 Shades of Gray.

Now you have to put this film together. So unlike many other blockbuster movies, there is no GitS cinematic universe you can rely on and that earlier base of fans is relatively small. They aren't going to get you close to that break-even line. That means you need to nail the casting and visuals, in order to sell this to the general public and to get them to go watch an anime adaptation. The visuals are somewhat simple in that you look at movies such as Blade Runner to imitate and you can call up WETA to give it that grimy effect. Audiences are also more pliable to scifi now thanks to Marvel/Lucasfilm/Avatar.

The more difficult part is the actress. The first thing you're likely to do is look up which females have led movies in the scifi genre that weren't part of some cinematic universe and see how they did. Obviously you would prefer to case an Asian for authentic purposes but you don't see any that have that sort of box office credibility. It's really important that you nail the casting because if the movie bombs, and there is a very good probability of that as you're entering a market with near zero financial successes, you need to be able to justify to your bosses every single decision you made. You know that if this project ends up losing money, you're going to be sitting at a big board meeting with a bunch of executives who are going to be deciding whether your ass is in the unemployment line the next day. At that board meeting, those executives aren't going to give a shit about diversity but rather how much money you cost them by not casting some S+ famous actress.

Now you can take a career suicide level risk and try to push some unknown Asian actress like Rinko Kikuchi who would be more authentic to the franchise or you can cast an actress with something of a track record. What do you think most people would do?

That's kind of what happens, but I think with Ghost In The Shell's specific case it was set up at Dreamworks. Which is a film studio, but NOT a distribution company. When you're developing a film outside of a distributor, you need to make it as attractive a business proposition as possible, so that you can actually get a good distributor to sign on. With Ghost in the Shell, Dreamworks was in limbo, as Disney had just declined to withdraw their contract. They were searching for a distributor to take on the film, and put up the money. The Ghost in the Shell brand isn't strong enough that a studio would be willing to upfront the money that would be necessary to create the effects work needed for the setting, so a big name star is often the next best hope in terms of actually getting the money needed.
 

Enzom21

Member
Her success in this role, makes it more likely that studios will bank roll future action films with a female lead, which means more rolls for women in general. The failure of this film, makes it less likely that studios will take a chance on female-lead films like this. Which means no opportunities for any women. It's not about waiting your turn. It's about working together and not tearing down the women who are currently best positioned to further the cause of women's rights, in general. If we focus on criticizing those women instead of the system denying women more opportunities, it's not going to help anyone and it's giving the system a pass, when we focus on criticizing the individual.

No, her success with this film will continue the belief that only white women are bankable as leads. Her success only helps her and other white women, especially considering she ignored and pushed aside a very real issue to promote white feminism.
Once again, who is tearing her down? You seem to think white women should not be criticized for stepping over WoC for their own success which is not a very feminist thing to do.
If the white women aren't willing to fight for WoC then shit won't change. This is more of the "wait your turn" bullshit. You are more worried about the feelings of white women than you are real issues that affect WoC.
 

PaulBizkit

Member
The thing is... if you only have 1 main character in the movie, and the movie is about said character's journey... you need a big name. Scarlett Johansson will draw a lot more people than any other asian actress.

Is it white washing? maybe, but then again, anime characters don't look asian most of the time either...
 

Keri

Member
I don't think anybody should be mad or upset at Scarlett Johansson or any other White woman accepting the role.

Instead of blindly defending White women, could you perhaps address Scarlett's answer when asked about the controversy which she used to prop up women as a whole instead of dealing with the specifics of Asian American actors in Hollywood?

Isn't that the purpose of this thread? To criticize Scarlett Johannson and try to de-legitimize her struggle for equality, in the process? Also, you answered your own question. She's using the role to prop up women in whole, because that's all she can personally do as a white woman. The alternative is that she not do anything at all and not seek any equality.
 
Her success in this role, makes it more likely that studios will bank roll future action films with a female lead, which means more rolls for women in general. The failure of this film, makes it less likely that studios will take a chance on female-lead films like this. Which means no opportunities for any women. It's not about waiting your turn. It's about working together and not tearing down the women who are currently best positioned to further the cause of women's rights, in general. If we focus on criticizing those women instead of the system denying women more opportunities, it's not going to help anyone and it's giving the system a pass, when we focus on criticizing the individual.

We're criticizing the individual's answer to a question and not the individual as you defensively think this is an us vs them.

Isn't that the purpose of this thread? To criticize Scarlett Johannson and try to de-legitimize her struggle for equality, in the process? Also, you answered your own question. She's using the role to prop up women in whole, because that's all she can personally do as a white woman. The alternative is that she not do anything at all and not seek any equality.

Wow, it's amazing how you can't even see it.
 

Cyrano

Member
i never seen Ghost in the Shell movie, is it good? it's on my shelf unopened.

i seen a few episodes on TV a few years back. looks like a show of cops.
This movie is what made the series famous (it's good): https://en.wikipedia.org/wiki/Ghost_in_the_Shell_(1995_film)

In particular, the opening and ending of the movie are fairly famous (the opening for its visuals, the ending for its discussion of life).

The rest of the series is pretty average at best.
 

Timbuktu

Member
If this is where Hollywood is at as to why Asian women and other minorities can't catch a break then it's the problem of the industry as a whole.

The is an irony in how Asian American actors have a better chance of building a career if they venture out to make movies in Hong Kong, then when they have a portfolio of starring roles, they might make it back in the US. You can see it in like Daniel Wu, Maggie Q and to an extent Donnie Yen and even Bruce Lee.
 
No, her success with this film will continue the belief that only white women are bankable as leads. Her success only helps her and other white women, especially considering she ignored and pushed aside a very real issue to promote white feminism.
Once again, who is tearing her down? You seem to think white women should not be criticized for stepping over WoC for their own success which is not a very feminist thing to do.
If the white women aren't willing to fight for WoC then shit won't change. This is more of the "wait your turn" bullshit. You are more worried about the feelings of white women than you are real issues that affect WoC.

Are WoC not victims of sexism and the patriarchy?

ScarJo sidestepping the question was obviously bad, but the idea that combating sexism only benefits white women is ridiculous.
 

Auctopus

Member
"I certainly would never presume to play another race of a person," she told Marie Claire. "Diversity is important in Hollywood, and I would never want to feel like I was playing a character that was offensive. Also, having a franchise with a female protagonist driving it is such a rare opportunity. Certainly, I feel the enormous pressure of that — the weight of such a big property on my shoulders."

Yeah, absolutely nothing wrong with that response. Fuck that "sidesteps" shade. She took the job of the film she wanted to do or was paid to do it. It's not her responsibility, she wanted to do the film and if she did feel like she was doing something wrong, it wouldn't have changed the producer's mind - they would've picked the next person who they felt appropriate who was just as likely to white. Blame the producers/casters if you need someone to blame.
 

Jarmel

Banned
That's kind of what happens, but I think with Ghost In The Shell's specific case it was set up at Dreamworks. Which is a film studio, but NOT a distribution company. When you're developing a film outside of a distributor, you need to make it as attractive a business proposition as possible, so that you can actually get a good distributor to sign on. With Ghost in the Shell, Dreamworks was in limbo, as Disney had just declined to withdraw their contract. They were searching for a distributor to take on the film, and put up the money. The Ghost in the Shell brand isn't strong enough that a studio would be willing to upfront the money that would be necessary to create the effects work needed for the setting, so a big name star is often the next best hope in terms of actually getting the money needed.

I screwed up, I thought it was WB for some reason. However the point still stands for people at Dreamworks who are banking on this and the ones at Paramount who signed off.
 
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